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Audirvana is also only two activations (hate this, I have three Macs I use often and another two I use occasionally). Outside of cost, I didn't like the playlist functionality (auto-updates to my folders didn't work, filtering a library is an way to interact with music). In contrast, Swinsian offers splendid, Mac-native playlist functionality.
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Playlist interfaces are lightning fast, technically detailed as you'd like with a native Mac look. Great functionality, metadata2die4, a user interface that trounces others Hulk-style. All for the price of a good interconnect. Or rent it, like your music.”…say some. It’s not the only party in town though. It does cost a fair wedge and Roon’s in-house coded RAAT protocol is theirs and theirs only. I’m two years in and things move on both inside Roon (via a wealth of updates) but also elsewhere. Time to revisit an alternative: the new version of Audirvana+. This one’s for Windows users and is the first outing of Audirvana+’s improved user interface.Ī viable alternative to Roon – or still a lagger? And which sounds better? Game on.
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Software apps sound different because they each have their own processor, RAM read/write and hard-drive read requirements and therefore deliver different electrical noise. (‘Bits are bits’ believers are invited to alight here and are advised to stick with the inferior sounding iTunes or Foobar – Ed) Electrical noise can travel down USB cabling to disturb the downstream DAC.
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My ageing i5 Asus laptop coped okay with the Windows take on Audirvana+.
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Plisson recommends 64-bit Windows 10 (April 17 update onwards) with 8Gb memory. This is where A/B SQ standoffs between the two apps tend to take place With A+ we can stream to any UPnP-capable device – hello again Raspi – but also go from computer to DAC with a USB cable. The initial cost of entry favours Audirvana. In absolute terms, it’s not overly expensive. Gone is the ‘Windows Explorer’ techie feel of the older interface, replaced by a vaguely familiar look that connotes a sense of Tidal crossed with Spotify. It eschews cleverness for the sake of it to feel modern and straightforward. There’s little need for a user guide.ĭon’t underestimate A+’s power and flexibility though. The Windows’ version’s front door hides a multitude of features. This disarming simplicity is the result of Plisson drafting in a UX (User Experience) specialist.ĭark and light modes are available, as is a mini-player when needed. Smart playlists replace Roon’s bookmarks, tags, and focus tool - a concept is carried over from previous versions and whilst less flexible than Roon, it still works well. That search results are returned from both your own library and those of Tidal, Qobuz et al. The showreel that accompanies the now playing screen niggles – it gets in the way. That’s the thing: we all use players in different ways and the pros and cons vary accordingly. Best to try Audirvana+ and see how it suits your modus operandi.Īll up, the new interface is a step change for the better. Multi-room is in Roon’s DNA and it uses its own protocol. Audirvana+’ approach is streaming from a single point to a single point. This renders it more limited than Roon – and it is a bit more hands-on as a result – but the UPnP networked streaming development nevertheless signals Damien’s intentions. A wise move given current market requirements. Very fine indeed, at least through a Brooklyn+ DAC (£2,000) with SBooster power supply (£300), Ayre AX-7e amp (£2,750 when new), and Neat Xplorer speakers (£3,495). It also sounds – and I’ll whisper this quietly – better than Roon over USB. But for me with my hardware, it’s better. It’s in the minor upticks in finesse, the slightly greater sense of ease, the minor improvement to bass reach and control and an extra speck of clarity where it’s easier to discern the contribution of individual musicians. When Chris Wood’s backs his own vocals on Riches on the Bold (Trespasser) the harmonic effect is greater. I tried numerous setups to eliminate variables. Roon and A+ on the same machine, then on different machines.